A wine-hater’s education


I’ve always hated wine. Until yesterday.

Most red wine that I’ve tasted has this bitter characteristic about it (which I just recently learned comes from the immaturity of the wine — how young it is — and the tannins in it) that lingers on the back of my tongue and makes me gag.

I know that makes me sound like a bratty 18-year-old. There are circles of people I know that love wine — whether or not they appreciate it or know anything about it, they love it. They love drinking a glass of wine at night with dinner, or after a long day while sitting in front of the TV, or with a cigarette most any time, or enjoying a bottle by themselves while sort of reading a high brow novel. That’s not me.

The bitterness of the tannins — which I also learned is amplified if the wine has been aged in any sort of oak barrel — destroys my taste buds. I used to describe it as a buttery taste because I could find no words for it. Aside from that, I also have a really simple palate. I hate most cheeses, mushrooms, spicy food, herbs and spices, fish, olives and creamy sauces.

So I probably hated wine because I wrote myself off as having no taste for it. I can’t differentiate between all the different “notes” and flavors that hide in there. But on Friday I was dragged out to Seattle with my parents (by dragged, I mean that I very willingly hopped into the car the same way my dog might because I was going stir crazy from a week of staying home recovering from the wisdom teeth extraction), who were planning on visiting several tasting rooms from Pike Place to Ballard as part of a research project for the startup that my stepdad works for. You know you’re in the right industry when doing a legitimate research project on a Friday afternoon means driving to Seattle, tasting great wines and making friends with local winemakers.

Aside: My stepdad is a brilliant businessman, as is my mom. The entrepreneurial spirit is alive and well in both my parents. About eight months ago, my stepdad and a few of his coworkers from former projects began a mobile wine industry software company that makes every part of the vintner’s job easier — from monitoring the grapes in the fields to tracking sales. Vinops is still in the development stages clearly, but it’s taking off.

By the time we got to Pike Place to check out the first tasting room, I was so thrilled about leaving my couch coma and being in the city that I was even willing to try a few of the wines. The last thing I wanted was to be the pouty, obviously immature and unseasoned kid (getting carded each time was obnoxious enough) among sophisticated adults tasting wine and partaking in intelligent discussion about the flavors, process and origin. I still was, though. I texted under the bar multiple times, sighed loudly and nearly spat out a few tastings.

But by the time we were at the second tasting room, I was warmed up (clearly the wine helped this) to the idea of opening my nose and palate and actually tasting it. I asked to see the tasting notes for each of the wines we tried and began paying attention to the different characteristics and intended flavors of each.

Some are aged longer than others, and in different types of wood barrels, both of which alter the flavor. Some have more alcohol, different pH levels. Some are peppery, spicy or loaded with dark fruits, or hints of citrus. Some have a back taste of tobacco, or chocolate, or walnut. Some are dark and biting and leave your mouth salivating. Some are light and tart. Some are tight; they were just opened, maybe they weren’t ready. Some are loose and smooth and set your mouth at ease, like talking to an old friend.

Each one is different. The grapes are different, the climate and soil where they were grown is different, the process is different. But all the vintners I met were more or less the same — friendly, easygoing, fiercely passionate, slightly eccentric.

The one I liked the most was a white wine — clearly a tasty wine for beginners — at the Vintner’s Annex in Ballard. It was loaded with citrus without being overly acidic. It tasted like grapefruit and smelled a bit like hay and fresh air. It was young and pretty. Had this wine been a person, it would have been a light and airy but natural blonde, with freckles splattered across her nose and peach fuzz white hairs lighting on her arms and the back of her neck.

There are 90 wineries in Woodinville, the town where my parents and I live. We live less than a quarter-mile from 18 different tasting rooms, and there are dozens of others within walking distance. It’s always been a part of the culture here — Chateau Ste. Michelle was the first, and as my mom describes it, so many of the others spawned in a related manner from wine enthusiasts who originally worked there, then moved out and began making their own wines nearby. And so on.

My parents are extremely knowledgeable about wine. They’re members at most of the wineries and know all of the winemakers by name. I had been to all of them, talked to the people there and admired the beautiful granite counters and careful lighting of the tasting rooms, but never felt a connection to it because I had this intense dislike for the taste, and sort of the accompanying lifestyle, of the product itself.

We paced our tour well yesterday and munched on French bread in between tastings. By the time we left the Vintner’s Annex, I thought I kind of liked wine, especially the light white ones that reminded me of the outdoors, or the way the woods smell in the middle of summer. I will continue to steer clear of wines aged  in oak and heavy in tannins, but the underlying current of passion and personality that lingers in the wineries will be harder to stay away from.

Oversexed or undersexed, it’s hard to be a female reporter


TV Azteca sports reporter Ines Sainz. Courtesy of albuquerquehub.com

As an English-speaking female who doesn’t watch TV Azteca and knows only the basics about the world of football, the first time I heard of sports reporter Ines Sainz was Monday night, when the story of lewd sexual remarks directed at her by New York Jets players broke on Yahoo! News. (Note: Yahoo! is my mother’s home page, not mine. I was on her computer… don’t judge.)

Little did I know, this bombshell Latina journalist has been a lesser-known gem in the realm of “hot sports reporters” (alongside A-listers Erin Andrews and Rachel Nichols) for some time. She’s a gorgeous, sexy woman, and she has no qualms about flaunting it: Along with her form-fitting and often suggestive outfits, Sainz has been noted in the past for exhibiting matching behavior during interviews, including measuring player’s biceps with a tape measure.

A quick Google search pulls up hundreds of photos of Sainz scantily clad (she’s no stranger to string bikini photo shoots), and at the time of this post, she was the search engine’s 39th most popular image search.

Sainz herself admitted that she was surprised by the way the story blew up. Infuriated women everywhere came forth and clucked their piece — either they were outraged that Sainz had been shown such disrespect and applauded her for being both a professional reporter and simultaneously a real woman, or they lambasted her for exploiting her sexuality in a field where women have worked so hard over the past several decades to be respected as equals.

The only thing anyone can seem to agree on is that no professional should ever have to feel that sort of icky, vulgar discomfort while trying to do their job — and even then, the debate rages on about whether or not reporters should be allowed in locker rooms in the first place.

We can all agree that the comments made by some of the players and staff toward Sainz were out of line and disgusting. The individuals who made those remarks are probably aware by now that those thoughtless, immature moments are the ones that seriously hurt the reputation of their team and of the NFL as a whole.

When news of this unfortunate incident broke, I was reminded of how damn difficult it can be to be taken seriously as a female reporter — especially a young one. These two-day media frenzies over how much cleavage a sports reporter shows just set us back. The facts surrounding leaked nude photos of Erin Andrews were appalling, but the media chaos that enveloped the story was almost as grotesque. But Andrews is a professional; she handled it with grace and dignity, and her career remained unscathed.

This past summer, I was warned by one of my editors (who turned out to be one of the best mentors and smartest people I’ve ever met) that because I was a rookie female reporter (and not even out of college yet), I was going to have to work much harder for people to take me seriously. Initially I shrugged it off. I’d been reporting for more than two years and I felt like my aggressively focused and professional nature forced people to take me seriously.

Of course I was wrong, and I learned that the hard way when an interview subject who didn’t like how the final story turned out sent a letter to the paper, ranting about my immaturity, sexuality and the way I had “obviously flirted” with another one of the people I was interviewing.

As I sat in my editor’s office reading that letter and biting back tears and expletives, I was hit by the occasional glass-ceiling type feeling of “I hate being a woman and life’s not fair.” But my editors supported and backed me completely. “Men are pigs,” one said as he handed me a box of tissues. When I told them what actually happened and that I had felt uncomfortable at the interview, they made me promise to come to them first the next time something like that happened.

As a result, I’ve been warned. I will never again be off my guard. I obviously didn’t do anything close to flirting with that interviewee, but I immediately learned to dial down my sugary-polite-sweetness that sometimes accompanies the nervousness I feel when going to interview someone. But the goal is to concentrate on not letting that change who I am as a person… I personally couldn’t pull off the skin tight outfits and strappy heels that Sainz wears daily as she marches out onto the field with her camera crew in tow (I would fall on my face), and I don’t feel that they’re necessarily appropriate, but I certainly defend the fact that we can be women and also be reporters — cops and courts, science, government, school and yes, sports reporters.

We can be respected and treated fairly, be ourselves, and look good while doing it. Newsrooms and interviews clearly are not the place for provocative behavior, but as women, we shouldn’t hide our identities and try to appear sexless just so we’ll be taken seriously.

In my opinion, Sainz has hurt her credibility, but that has more to do with her antics and outfits than her looks. And while gorgeous women like Erin Andrews are appreciated for their beauty, they are valued for their ratings because they’re professional, hard-working and they know what they’re talking about.

Show and tell, part deux


I like to refer to this as the beginning of my career moonlighting in amateur reporter videos.

The following are videos shot by Capital Press reporters while they were out on field assignments over the past summer. While I interned at the CapPress, I got the opportunity to do a lot of video editing using an extremely primitive version of iMovie — which makes you work MUCH harder, by the way. (As a result, I am by my standards a much buffer editor of amateur video. Or so I like to think.)

All of the footage was taken by real live Capital Press reporters, except for the Tom Vilsack video, which I had the privilege to shoot when he came to Keizer, Ore., for a Rural Development Forum a few weeks ago.

Thanks for watching!

Reporter does show and tell


I have a whole blog post set aside for a time later today when I’m not as heavily drugged and when I feel coherent enough to passionately hash out my feelings about Quran burnings/Sept. 11, 2001/Muslim centers being built near Ground Zero…

But for now, enjoy some of the more visual work I’ve done over the last six months. As a reporter in this new media world (and a student in a major that requires me to take on storytelling in every multimedia platform available), I’ve had to learn how to take and edit photos and video in different projects, as either part of a published work or a school assignment. I fought it at first, rationalizing that I was a writer and reporter and not a photographer, and that photographers and journalists and videographers and the like are not meant to cross paths in their work. Of course, that’s not true. Mostly I was just scared of the technology involved. Nobody likes to be a n00b.

After quite a lot of practice shooting and editing video and photos, I’m still definitely a n00b. It’s something I really enjoy doing and sometimes flatter myself that I’m passable at it — but no, that’s not true. I’m a writer, period. I can DO all the other stuff, and I wish I had an eye for it, but I don’t, even though I’m getting better. So here is a small sample of some of the stuff I worked on for my New Media Visualization class with Todd Kesterson.

I’ll follow this post up later with some quick reporter videos I put together for the Capital Press this summer. Thanks for viewing!

This thing -- which I am told was once a coconut -- sat by my desk at the Barometer for more than two years. One evening I decided to photograph it for a project for my NMC 351 class to prove that I could use the idea of gestalt and take a decent photo.

While doing the same project for NMC 351 that evening (clearly I did it the night before it was due), I was searching around the Baro for inspiration. I found many red items that had a distinct Barometer flare to them. The Stylebook, the wings, and the fire extinguisher case were tied together nicely by copy editor Allie's effortless sass.

More NMC 351 project, but this photo was taken at my house that night at about 2 a.m. I got lucky with the shadows and the color of the wall behind the chair. The flowers and the blanket made it all very cozy.

Same night, same procrastinated project. These are my favorite things and my little elephant trinket looked perfect on its doily in the jewelry box I've had since I was three. It's like a glimpse into an Indian in the Cupboard kind of world.

For this project, we were supposed to demonstrate that we could use light, shadow, color and placement in each photo to evoke a certain emotion or feeling. Here is a very well-lit photo of some adorable, innocent-looking stuffed animals tucked away into bed. And then....!

...BAM. Change the lighting and the shadows and they're creepy, Chucky-like monsters waiting patiently in your bed to go bump in the night! Especially that Ugly doll. He's clearly up to no good.

This chair can always be found around Snell Hall, either propping open a door or sitting in creepy light. I liked the color, and I wanted to prove that I could use the Rule of Thirds... sort of... even though I don't think I quite understood what that meant at the time. I still like the photo. It's Baro-reminiscent.

Post wisdom teeth wisdoms


Ohhh, blogosphere. And Twitterverse. How neglectful I’ve been. I feel like all my rare and randomly-written blog posts include the word neglect in the first line: I’m sorry.

I got my wisdom teeth out today. I’m currently sitting on my little ol’ Dell at my parents’ house in Woodinville with two bags of frozen peas plastered to each side of my face, secured there by four of those long athletic hair bands that girls use to hold their manes back when they’re working out/washing their face. (Side note: When I bought 25 of those bands in assorted textures, designs and colors, I KNEW they would come in handy someday. Five years later…)

In the last few weeks, I’ve been too busy to even get on Facebook much — oh, horror of horrors. After I ended my internship at Capital Press two Wednesdays ago, I immediately started packing my life (which seems to get bigger and require more boxes each year), cleaning up my house, and beginning the process of moving out of my beloved south town and dropping crap into my parents’ garage (time bomb, start ticking). A few really exciting (and extremely cost-effective) opportunities have come my way in the last few months, both of which will put me out of my comfort zone… so I’m going to take them.

I start my fall academic reporting internship with The Oregonian Sept. 27, which basically feels like it’s going to be my final and perhaps most significant opportunity for a launchpad into the world of professional journalism. Big plans and lots of things to do beforehand — still need to talk to my college adviser and the office of financial aid about taking a term off but still taking credits. I still need to get my hair done (my roots are about two inches long right now), nail down the logistics of leaving my lease and having someone else sign in and, oh yeah, find a place to live in Portland.

As far as that goes, I think I’m gonna look for a place close to the MAX that’s farther outside of Portland. A room in a house or a studio would be fine at this point. Anything aside from a cardboard box under Burnside Bridge would be just great at this point. I’m aiming for a place that has good running nearby and a good park where my dog can make happy puppy bathroom time. And as much as I would love to spend a beautiful Oregon autumn downtown in the heart of the Rose City, it’s pretty impossible to find a place to lease for three months, with a dog, in the realm of $500.

Somehow, I’m still not panicking. Somehow. Procrastinating is an art form for me. Deadlines are like my little sidekick. They empower me. That’s probably why I love journalism so much… Bam.

The other opportunity involves a decision my parents and I made to move my show horse out of training for the first time in the three years we’ve owned him and bring him to a barn in Corvallis so that I can ride him and train him myself. Since we bought him in 2007, Carlos was a show horse, through and through. Understanding his talent and potential as a four-year-old at the time, we bought him as an investment. We decided we’d build him up, show him all over the place and get his name out there, then sell him, hopefully for a profit and to a good home, when the time was right.

Then the economy crashed, the nationwide slaughter ban was passed, and people started letting their horses loose on government land or on Indian reservations (halters still on, etc) because they couldn’t even afford to feed them anymore… let alone the idea of trying to sell them in a worsening recession. This made the situation for anyone with a good horse to sell really volatile and virtually impossible.

The horse (Carlos, who by this time had become our horse and more importantly my baby) didn’t sell. We didn’t even market him, because we knew we wouldn’t be able to get a third of what we paid and there would be no guarantee that he would be go to solid owners that wouldn’t turn around and sell him again or let him go to waste. So recently we made the decision to give him a little break from constant showing and take him out to Corvallis for a few months of grass hay, reckless running and straight being a horse.

When I found the place that I decided was perfect for him just outside Corvallis, the barn owner showed me a slightly dingy but charming single apartment in one of the barns with a beautiful screened-in deck that faces out into endless pasture. So if everything works out, after I finish the internship at the O, I’ll spend the rest of the school year living at the barn (WITH my horse, something I’ve wanted my whole life), mucking stalls and feeding horses constantly, and taking on yet another new adventure.

I’m young, still in school, sporadically employed and the only other living thing I’m responsible for currently is my dog. At this point in my life, it’s all about taking chances and forcing myself out of my comfort zone.

Twitter limbo


Wednesday night, I deactivated my Twitter account. By Friday morning, I made a new one.

The decision to deactivate @candiceruud stemmed mostly from a really bad mood. Wednesday always ends up being the worst day of the week, which doesn’t quite make sense, because it’s production day at the Capital Press, so it’s busy and exciting and there are always things that need to be done in a hurry (working under tight deadlines is something I perversely enjoy). For whatever reason, I came home that night in a really antisocial mood and made the swift decision to cut some social media out of my life.

This happens once in a while. I’ve deleted my Facebook a number of times. Given enough stress, occasionally my psyche reaches a dark place where I want to disconnect from everything that keeps me accountable to other human beings and retreat to the woods, where I vow to live with my dog, at peace with the earth, and far away from anyone who could possibly irritate or provoke me.

The idea to delete my old Twitter and start fresh, though, had been cooking in my brain for some time. As a perpetual intern (my fourth internship is coming up this fall) and barely still a college student, I walk a blurry but increasingly thin line between “kid” and “professional.” It’s hard to decide how exactly to use my Twitter. I follow/am followed by my friends, but also people I work or have worked with, including several news and media professionals whom I hope to work with again someday.

From what I’ve observed in the group of people I follow, there are basically two approaches to Twitter. First, there are the diehard news professionals or hopefuls: They only ever post links to news stories and breaking news bits, blogs, editorials, photos, polls, or stuff they found online at Poynter. They post constantly. I don’t know how these people maintain jobs in the news world, because it seems like all they have time to do is read the entire internet and then post links in hopes that other people will find them interesting. These people make excellent use of the @ sign as well as the hash tag. No Twitter territory goes uncovered. They’ve personalized and optimized and socialized their HootSuite or whatever Twitter client they use to the point that it’s more navigable and familiar to them than their own newsrooms.

The other approach is basically an ongoing battle of wits. These small shiny stars in the Twitterverse post short analytical quips about the news of the day (Lindsay Lohan and Mel Gibson are the most obvious easy targets recently), or just random observations about life and whatever it is that they encounter day to day (apparently their phones are never out of reach). They’re usually funny, and it’s a tempting trap, but it’s hard to even begin to post tweets like this because you’re instantly pushed into this competitive world of tweet comedy, which is futile yet surprisingly stressful.

My approach to Twitter has always been trying to highlight funny, or weird, or interesting things that go on in the newsroom. But it’s easy to let that slide into occasional personal stuff — not private, but things that go on in life outside journalism. For instance, I was really excited about finally paying off the credit card I got when the aforementioned dog broke his leg last summer, and I couldn’t resist tweeting about it. And then I thought, who cares?

No one, that’s who.

When I worked at the Barometer and was in school full-time, it was easier. I could tweet about my media-centered major, the ongoing search for internships, blog posts or articles I’d written or interesting projects the paper was working on. Tweeting about life as an editor of the Barometer was pretty much an endless source of material. I felt like that was validated. People like hearing about the inner workings of a newsroom, and I think it was interesting for some of my followers to hear about what goes on at a student-run newspaper with a small, caffeine-addicted staff that’s stretched way too thin and close to becoming homicidal.

Now, however, I feel like I’m in Twitter purgatory. (TwitPurg? Twitturgatory? That’s good… there’ll be an app for that.) I’m done with my time at the Barometer, almost done with school, and I have to watch what I say, how I portray myself, because the next big challenge in my life is landing a job in journalism. I have to constantly consider what I tweet and blog about. I have to look ahead to the fact that prospective employers will Google me and immediately scan my Twitter (it’s one of the first things that comes up), and make instant judgment calls based on what’s on there.

I have to watch myself because I’m not a professional adult yet, but I need to make it understood that I’m ready to behave like one in a professional environment. This sudden, primitive instinct to conduct myself (like my sophisticated, business-savvy-to-the-core mother does) is increasing in vigor the closer I get to needing that career-launching job, pay off my student loans, get on my own two feet and not die poor and hungry in the streets… etc etc.

For now, my new Twitter is confused, occasionally amusing, and sporadically updated. My only hope is that as long as I keep it appropriate and mainly news-centered, prospective employers won’t judge me based on my Twitter wittiness (Twittiness? Twitterwit? TWit? You decide).

First week face off: Reporting vs. copy editing


I’m back from the dead. I’ve been a neglectful blogger… call me a deadbeat.

Quick update on the past few months in the world of amateur journalism: I survived spring term relatively unscathed. I passed all my classes (first time that’s happened in several terms), secured two internships for the next six months (which I was terrified about, I had no luck/new prospects until about a month ago), and kind of started to rearrange my life. I started thinking about the future, and about how a year from now, I’ll be an adult.

I went home to Woodinville last weekend, and while I was showering in my clean, spacious shower that never seems to run out of hot water, I realized that I will probably never live at home again for more than a few weeks at a time. This summer, due to the fact that I was lucky enough to procure a makeshift internship at the Capital Press (a 35,000 circulation agriculture weekly — probably the West’s most prominent ag paper), I’m living in Corvallis and making the 50 minute commute to Salem each morning. Thanks to another stroke of luck and timing, I’ll be interning at The Oregonian as an academic reporting intern during fall term.

The thought that I’ll never live under my parents’ roof for any extended period of time again is terrifying. Maybe there will be a period after I graduate when I won’t be able to find a job and will just move back in, but for some reason I don’t think that will happen, even though I shamelessly want to. I know my parents would welcome me and love me and feed me milk and home-cooked meals, but I’m sure they would want to set up a vague date of when my welcome as a freeloader in their home would officially expire. Until then I would just feel the clock in the back of my brain ticking like a time bomb for every week that I lived as a deadbeat daughter.

All of my roommates and most of my friends graduated last Saturday. The majority of them have plans for even higher levels of education. The ones who don’t have a very solid idea of what they’ll be doing with their time in the next few months, and some already have enviable jobs lined up.

But what does an underdog journalist with a degree in new media communications from OSU do? I could be like a few of my friends and former Barometer editors and apply to the best and brightest grad programs for young reporters across the country. If I were as talented as some of them, I would get picked up by a major publication fresh out of college and at least make some money traveling and freelancing. As far as journalism goes, I know there are more gritty, aggressive young reporters out there. I’ve always been a good writer, and I ask good questions, but that doesn’t necessarily translate to Pulitzer-winning journalistic skills. I am organized, and if nothing else, stubbornly tenacious. That’s what I have.

The reason I began on this blog post was kind of a reflection of what I’ve learned in my first week of working at the Capital Press. So far, the internship has already been incredibly valuable. Last week, since their head copy editor is on vacation, I’ve been helping to fill in on the copy desk. I’ve learned that I’m more detail-oriented than I ever thought I was, and I love doing layout and working on page design, even if it is on Quark — which crashes even more frequently than InDesign. I’ve also figured out that I have a lot to learn… and have kind of realized that reporting is what I ultimately want to do. But regardless, if I get to work in a newsroom, I think I’ll be happy.

I really like copy editing in general, but it’s so much more stressful than reporting, it’s unbelievable. I could never appreciate that fact until this past week. I would like to take this moment to bow down to all the real world copy editors who have to both edit stories and do pagination. You basically wait around for the talented reporting super stars of the paper to get their work done and then scramble like hell to grace a page with their copy. God forbid you should have to cut a few words or change their headline because it won’t fit.

(I should note that none of these writers have that sort of ego at all, but I can see why all the real-world copy editors I’ve ever known are always stressed out and pissed off. The pressure to edit every mistake out of a story and then strategically place it so it fits, pops and makes sense to the reader on the page — and the fear of screwing it up — are hard to get used to.)

It was different doing the job of a copy editor or layout designer at the Barometer… either you edit copy or you lay out pages, and all your pages can jump, so who cares if you can’t fit someone’s whole story that they spent an entire month researching on one page?

Another thing that’s hard for me to swallow about the copy editing role: You’re literally inside all day. Last summer when I interned at the Gazette-Times, there was never a day when I didn’t get to leave the newsroom and either walk or drive to somewhere in Corvallis and interview people — usually outside. I spent a few days at the Benton County fair, da Vinci Days, and any other outdoor festival I felt like covering.

As a copy editor, you don’t get to run around town, drive different places, meet people that you would have never interacted with otherwise and talk about their lives, their work, their passion, or the things they’ve accomplished, often in the face of crippling adversity. You don’t get to visit their homes and look at their pictures or sit in their kitchens and feel them unwind. You don’t get to talk to their kids, or meet their pets, or listen and scribble down notes as they teach you, front to back, about something their entire world revolves around. In copy editing, the human factor just isn’t there. Mind you, the human factor is often a pain in the ass, but it’s the reason most journalists do what they do — because we’re story tellers. We love sharing information, and above all, we love to learn.

In my second week at the CapPress, I’ll still be doing a good amount of page layout and editing, but since the chief copy editor will be back I’ll probably be thrown into writing stories, or getting coffee, or shining shoes, or something. You know, odd jobs. And while waking up at 6:10 every morning has been a relative pain (I’m nocturnal), I think it’ll work out in my advantage in preparation for the day when I …gulp… grow up and have a… um… real job.

Shuddercringebarf.

2010 ONPA awards at LBCC


The Daily Barometer cleaned up at the ONPA awards today. Congrats to all the other schools for all their hard work! Everyone’s papers and design looked great.

1st Place:

Best Series — Rebecca Johnson

Best Columnist — Grady Garrett

Best Photography — Jeffrey Basinger

Best Spot News Photo — Peter Strong

Best Design — Daily Barometer

Best Graphic — Jeffrey Basinger

Best House Ad — Daily Barometer

Best Website — Daily Barometer

2nd Place:

General Excellence — Daily Barometer

Best Graphic — Jeffrey Basinger

Best Feature — Candice Ruud

Best Sports Photo — Jeffrey Basinger

Best Cartooning — Daniel Hawkins

Honorable Mentions

Best Editorial — Candice Ruud

Best Sports Story — Grady Garrett

Best News Story — Candice Ruud

Best Spot News Photo — Jeffrey Basinger

Best House Ad — Daily Barometer

Learning to love (or live with) website comments


(Note: The material in this post came in part from a staff editorial I wrote for the Barometer in November 2009)

As managing editor of the Barometer, one of my responsibilities was to moderate comments on our website. Through College Publisher, comments can be submitted, but won’t be posted to a story until an administrator approves them. This means reading through every word of each comment and deciding if they were too offensive, off-topic or nonsensical to approve.

This ultimately depressing and tedious duty was my happy privilege for more than six months. It was depressing because, while the Barometer is easily the most-consumed student media venue on campus, it has its fair share of haters (when working at a daily newspaper, you quickly discover that the loudest voices are those of the people who hate your coverage — the ones who like it rarely speak up).

There are certain people who I got to know by name or e-mail address because they would literally wait until each night around 11 when the Barometer would be published online, read every article, and rip each story and its author a new one via comment. However, these comments were usually well-written and totally appropriate, so I had to approve them.

The work of moderating comments can be a privilege and the bane of our existence. The democratic principles of newspapers can take their purest form in article comments. It’s wonderful  to know what the audience is concerned with and talking about, and sometimes the conversation is lively, informative and engaging. If article comments will keep newspapers in business, at least online, then they’re irreplaceable. As Mike McInally, editor and publisher of the Gazette-Times, pointed out, those who comment on stories sometimes drop important news tips. But they can also be a source of serious frustration.

In keeping pace with the democratic traditions that newspaper people hold dear, we generally like the concept of article comments. News outlets are meant to serve the community and to allow for conversation. There is no better new media example of participation in a public forum than this. However, many of us feel more reverence to good old-fashioned letters to the editor. They tend to be more conceptually mature, articulate and actually make a discernible argument. At the Barometer, they are limited to 300 words, can be included in the daily print edition and, best of all, include the person’s name and contact information, so they’re held accountable for their response.

Article comments on newspaper websites were designed to be an open, constructive method of encouraging community and reader feedback and allowing the reader to interact with the newspaper and its audience. They allow readers to have a voice, to let us know what they appreciate and what didn’t work. Unfortunately, this privilege is frequently abused. Because comments allow for anonymity, people post vulgar, offensive and sometimes threatening responses because they can’t be held responsible for their views or their lambasting.

Sometimes, newspapers are forced to disable comments on certain stories because they know they will be inflammatory and offensive. While habitual posters may kick and scream because they feel that their right to democracy is being jeopardized, some stories simply speak for themselves. At a workshop with Steve Bagwell’s copy editing class last Wednesday, McInally said that the Gazette-Times disables comments on stories involving race or sexual abuse charges, because the comments can quickly degrade into predictable, offensive swill.

As moderators, we’re constantly on the lookout for not only spammers, but for “trolls” as well – people who post controversial and generally off-topic responses to articles to elicit a response from other readers. And while there are the occasional heart-warming posts commending a writer for their reporting, most of these comments are knee-jerk reactions to a detail of the story that the reader didn’t like.

But I can’t write this post in good conscience without mentioning the silent savior, the shining star of Barometer website comments. There is one particular reader (he or she goes by the free text reader name “Anon”) who could write article comments for a living, if such a job existed. Anon’s e-mail address remains the same each time, and on more than one occasion I’ve considered writing to him/her (this person is definitely a him in my mind, so I’ll stick with that) just to find out who he was and offer my appreciation. Even if he disagrees with something the Barometer has published, he is articulate, polite and informed. Instead of arguing, he offers his point of view — which is always brilliant and makes me wonder why he follows dailybarometer.com so closely in the first place.

Hats off to you, Anon. Thanks for keeping it real on the Baro website.

While some news outlets have probably suffered enough abuse that they’ve had to disable all comments, at this point it’s a venue that people are so used to that it doesn’t make sense to take it away. If it keeps democratic traditions alive in news media outlets, it’s a necessary evil.

And, as always, don’t feed the trolls.

Farm on your own time


Macbooks are adorable, aren’t they? Who wouldn’t want a Macbook? They come in the brightest and most eye-catching of colors; they boast a solid yet sleek, sexy design; and they have, on average, a longer battery life than my (stupid) Droid Eris.

I don’t have a Macbook. In fact, I’ve never had a laptop that wasn’t a hand-me-down from my mom or step dad. But when I think of these little technological slices of heaven, my neural networks thrust forth irritating images of the Facebook home page and other people’s tagged photos. And… FarmVille.

Macbooks are touted as the perfect computer for young professionals and college students — they’re fast, easy to use, they never crash, they allegedly last forever and you can do almost anything with them.

Including harvest your farm during class.

(I should point out that my topic of discussion here is not the use of Macbooks among college students — the only reason I bring them up is because 80 percent of the students I see on a regular basis that bring their laptops to class own this particular — superior — breed of laptop.)

In my experience, approximately half of the people in my classes bring their laptops to lecture. Sometimes, when I’m desperately seeking a diversion that will keep me awake during a dry two-hour class, I’ll glance around the room to count how many people are using laptops, and how many of them are actually using them to take notes. Usually, it’s less than half.

The number one distraction for students who bring laptops into the classroom is, of course, Facebook. I have, on countless occasions, sat behind girls (it seems like it’s always girls) who literally do nothing all class period but peruse Facebook. The best part is, many times they sit there refreshing their own profile page.

I had a discussion with a roommate once in which we calculated how much each person spends in tuition on each class they attend. For in state students, it’s around $20 per class, depending on credit hours and length. These people spend $20 per lecture to come and spend an hour glancing through their own tagged photos, rereading comments and checking out the overall look of their page. That’s something I’m only vain enough to do in the privacy of my own room. I’m hesitant to admit that I do it at all.

Obviously, people are entitled to do whatever they want with their tuition dollars. But when you’re sitting directly behind someone who spends an hour or two doing nothing but planting or buying or harvesting or feeding — or doing whatever the hell it is that people do — on FarmVille, it can be extremely distracting. People who text during class don’t bother me because they’re usually fairly discrete about it; they hide their phone under the desk. I’ve never played (not even sure if that’s the correct verb) FarmVille, I am not a FarmVillain, or whatever, but it’s the only video game I’ve ever encountered that has actually intruded into and disturbed my perfect, ignorant little game-free world completely uninvited. If I’m not staring directly into someone’s cow pasture in class, then it’s clogging my News Feed or alleged “friends” are sending me invitations begging me to give them chickens.

I don’t care about your chickens. Keep your farm away from me, or I’ll take a torch to it.

I never felt violated by a video game before the advent of FarmVille and its Facebook counterparts. To me, video games were a somewhat isolated subculture that you could choose to be a part of or ignore at will. As a new media communications major, I had to take New Media Futures, which irritated me, but it didn’t make me despise the gaming industry. FarmVille hasn’t done that either, but it has created a negative mental model that I associate with Facebook  and now Macbooks (thanks for the terminology, Loges). Other than that, it’s disruptive and distracting in class.

Also, I should mention that I have no qualms about reading over people’s shoulders when they’re farming or Facebooking in class. Anyone who may be disgusted by that has severely lost touch with the reason they’re in class in the first place.

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